The
portrayal's of Jesus in cinema can differ considerably from one
another, just as depictions of Christ have done throughout history.
Unlike earlier literal interpretations in film such as The
King of Kings
and The
Greatest Story Ever Told
more recent depictions have seen filmmakers taking a more humanistic
approach telling the story of Christ as a metaphor for contemporary
issues and personal struggle.
For instance the The
Last Temptation of Christ
isn't an historical depiction of Jesus but an adaptation of Nikos
Kazantzakis' novel. Before the title shot a quotation from the novel
is shown displaying, "The dual substance of Christ. The yearning
so human, so superhuman, of man to attain God has always been a deep
inscrutable mystery to me. My principle anguish and source of all my
joys and sorrows from my youth onward has been the incessant,
merciless battle between the spirit and the flesh and my soul is the
arena where these two armies have clashed and met." The film
focuses on Jesus's personal struggle as he reconciles God's
plan and his human temptation, reflecting a universal
conflict of society, reconciling faith and humanity rather than
portraying the traditional Christ story.
Another
example is Denis Arcand's Jesus
of Montreal.
The movie, set in contemporary Quebec, is a story of a group of stage
actors who are commissioned to portray the crucifixion of Christ.
The actors lives in the film mirror their characters lives in the
Crucifixion story. For instance, Daniel trashes audio-visual
equipment used for advertising in a theatre like Jesus cleansed the
temple in Jerusalem of commercial activity while Mireille, a stand in
for Mary Magdalene, is required to do an audition for a
commercial in a bikini (see below). In addition, just as Jesus is tempted by the devil
during his fast so to is Daniel by a lawyer who offers him power.
Unlike their Gospel counterparts Daniel and Mireille's actions do not
reflect religious stories but are a metaphor of the films objection
to societies consumerism and the exploitation of women in the media.
As for Daniel's encounter with the lawyer is a criticism of societies
values rather than a confrontation with a supernatural foe.
There have been recent cinematic depictions of Christ which have meant to be literal such as The Passion of the Christ , however, a change in the culture of films has influenced many contemporary film makers to make use of the Crucifixion story as a reflection of contemporary issues.
Below are some of the Scenes from Jesus of Montreal:
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